<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1857912743051405603</id><updated>2012-02-16T20:19:24.432-08:00</updated><title type='text'>Views From Beyond Mars</title><subtitle type='html'>These are the views, philosophy, techniques, experiences, and knowledge from the author and creator of the book: Beyond Mars Crimson Fleet.
(Beyond Mars is a science fiction action adventure that is greatly different from Stars Wars, Star Trek, and Babylon 5.  Its story is born from actual history, giving the tale the frightening, but also the hopeful aspirations of the future.)</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>15</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-3767634864237151881</id><published>2012-02-08T13:11:00.000-08:00</published><updated>2012-02-09T04:41:38.225-08:00</updated><title type='text'>Some reasons why I hate Star Wars</title><content type='html'>&lt;m:smallfrac m:val="off"&gt;    &lt;m:dispdef&gt;    &lt;m:lmargin m:val="0"&gt;    &lt;m:rmargin m:val="0"&gt;    &lt;m:defjc m:val="centerGroup"&gt;    &lt;m:wrapindent m:val="1440"&gt;    &lt;m:intlim m:val="subSup"&gt;    &lt;m:narylim m:val="undOvr"&gt;   &lt;/m:narylim&gt;&lt;/m:intlim&gt; &lt;/m:wrapindent&gt;  &lt;/m:defjc&gt;&lt;/m:rmargin&gt;&lt;/m:lmargin&gt;&lt;/m:dispdef&gt;&lt;/m:smallfrac&gt;&lt;br /&gt;&lt;div class="Level1" style="line-height: normal; margin-left: 0.5in; page-break-after: auto;"&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Normally I have the highest praise and regards for other Scifi writers and Scifi series. For example, I am an immense fan of David Weber's Honor Harrington book series as well as Star Trek and Babylon 5.&amp;nbsp; However with that said, I have nothing but contempt for Star Wars and George Lucas.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;u&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-weight: normal;"&gt;In my opinion&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;, George Lucas is nothing more than a money grubbing master plagiarist.&amp;nbsp; He absolutely refuses to drop his demented fairy tale of Star Wars from the limelight, regardless that it is the same storyline being told over-and-over since 1977. But I guess he just can't create or (as I reason) possible steal anything new while feeding his massive ego.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Take &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-weight: normal;"&gt;The Phantom Menace&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; as an example, which he has just recently re-released...AGAIN!&amp;nbsp; This movie is an insult (my opinion again) to anyone of the Christen Faith (like me).&amp;nbsp; It makes fun of Jesus Christ (who I consider to be the true son of God...and God does exist) by stating&amp;nbsp; Anakin Skywalker (along with another 300 plus individuals) was begotten by virgin birth.&amp;nbsp; Some of its other predominant messages (my opinion again) promotes slavery and indentured servitude (since our heroes --&lt;i&gt;the Jedi Knight&lt;/i&gt;s -- were OK with this aspect of the glorious Old Republic), lauds forced child labor, believes in reckless endangering the life of a child (driving a speeder with 747 engines), believes children should serve as soldiers, and finally that Jedi Knights have a right to murder anyone while enforcing their own skewed morality on the rest of society and not be held accountable for any of their actions.&amp;nbsp; I ask you, is this the ethics you want imparted to your children? &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;To add insult to injury,&amp;nbsp; and coincidental, George Lucas has also released a new line of toys that mirrors this movie and is trying to get parents to dress their child up like the demonic–type villain figure of this horrible yarn.&amp;nbsp; It is not hard to figure out who the Phantom Menace really is – George Lucas, his henchmen, and his quest to double his billions of dollars by fools who will buy into this crap!&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;George, do us all a favor.&amp;nbsp; Why don't you simply retire and go away?&lt;/span&gt;&lt;span style="font-weight: normal;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-3767634864237151881?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/3767634864237151881/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2012/02/some-reasons-why-i-hate-star-wars.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/3767634864237151881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/3767634864237151881'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2012/02/some-reasons-why-i-hate-star-wars.html' title='Some reasons why I hate Star Wars'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-7973883271176655058</id><published>2011-09-06T09:28:00.000-07:00</published><updated>2011-09-06T09:32:04.786-07:00</updated><title type='text'>Mars Bio-Station</title><content type='html'>To those who believe that the Mars Bio-Station is total nonsense, here is something to consider:&lt;br /&gt;&lt;ol&gt;&lt;li&gt;NASA hardware was used in recording the image.&lt;/li&gt;&lt;li&gt;NASA imaging techniques were used in recording the image, which consist of visually imaging, with infrared, and radar imaging.&amp;nbsp;&lt;/li&gt;&lt;li&gt;These were NASA images.&lt;/li&gt;&lt;li&gt;Cosmic rays occur at frequencies much higher than the light band and won't cause that type of distortion.&lt;/li&gt;&lt;li&gt;It is a federal crime to tamper with these images on the part of any NASA employee (unless directed by some federal authority.)&lt;/li&gt;&lt;/ol&gt;I rest my case.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-7973883271176655058?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/7973883271176655058/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2011/09/mars-bio-station.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/7973883271176655058'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/7973883271176655058'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2011/09/mars-bio-station.html' title='Mars Bio-Station'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-6210306568086986410</id><published>2011-02-14T04:54:00.001-08:00</published><updated>2011-02-14T04:54:19.870-08:00</updated><title type='text'>The Past Speaks Once Again</title><content type='html'>Last week again, I was approached and praised as not only an amazing&amp;nbsp;wordsmith, but how the Prologue of&amp;nbsp; &lt;strong&gt;&lt;em&gt;Beyond Mars Crimson Fleet&lt;/em&gt;&lt;/strong&gt; predicts all of today'a events of&amp;nbsp; a world going mad.&amp;nbsp;Again I must answer that those who fail to learn from history are doomed to repeat it.&amp;nbsp; The spiking in commodities and food prices, the riots, governments falling to mob rule, and finally a world war on the horizon have all been lived in the past.&amp;nbsp; The events that created the Great Depression and the beginning of World War 2 are being followed almost to the letter, just that there are different players.&amp;nbsp; But no one want to hear or do what is necessary to prevent it. I feel so sorry for this world.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-6210306568086986410?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/6210306568086986410/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2011/02/past-speaks-once-again.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/6210306568086986410'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/6210306568086986410'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2011/02/past-speaks-once-again.html' title='The Past Speaks Once Again'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-8628016913040826641</id><published>2010-11-09T09:21:00.000-08:00</published><updated>2010-11-09T09:22:08.462-08:00</updated><title type='text'>Your Medicine is watching you!</title><content type='html'>&lt;span id="articleText"&gt;&lt;span class="focusParagraph"&gt;From Reuters: "Novartis AG plans to  seek regulatory approval within 18 months for a pioneering tablet  containing an embedded microchip, bringing the concept of "smart-pill"  technology a step closer. &lt;/span&gt;&lt;/span&gt;&lt;span id="articleText"&gt;The biotech start-up's ingestible chips are  activated by stomach acid and send information to a small patch worn on  the patient's skin, which can transmit data to a smartphone or send it  over the Internet to a doctor.&lt;br /&gt;&lt;span id="midArticle_6"&gt;&lt;/span&gt;Mundel  said the initial project was focused on ensuring that patients took  drugs at the right time and got the dose they needed -- a key issue for  people after kidney and other transplant operations, when treatment  frequently needs adjustment. &lt;span id="articleText"&gt;Longer-term,  he hopes to expand the "smart pill" concept to other types of medicine  and use the wealth of biometric information the Proteus chip can  collect, from heart rate and temperature to body movement, to check that  drugs are working properly."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span id="articleText"&gt;This is remarkable like the "Watcher" of Beyond Mars Crimson Fleet.&amp;nbsp; With the intrusion of governments ever increasing and abuse of technology growing, they herald the "Watcher" to become a reality.&amp;nbsp; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span id="midArticle_7"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-8628016913040826641?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/8628016913040826641/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/11/your-medicine-is-watching-you.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/8628016913040826641'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/8628016913040826641'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/11/your-medicine-is-watching-you.html' title='Your Medicine is watching you!'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-5982918352370301056</id><published>2010-11-04T09:37:00.000-07:00</published><updated>2011-05-20T04:17:17.646-07:00</updated><title type='text'>3D Holograms First Envisioned in "Forbidden Planet" NOT "Star Wars"</title><content type='html'>&lt;div class="ft-story-header"&gt;&lt;h1 style="font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;From FT.com and By Clive Cookson in London &lt;/span&gt;&lt;/h1&gt;&lt;/div&gt;&lt;div class="ft-story-body"&gt;&lt;div class="clearfix" id="floating-target"&gt;"More than 30 years after the famous Star Wars movie scene in which a hologram of Princess Leia appealed for help from Obi-Wan Kenobi, US researchers have unveiled holographic technology to transmit and view moving three-dimensional images."&lt;br /&gt;&lt;br /&gt;NOT SO!!!&amp;nbsp; The very first movie that displayed this type of advanced technology (as well as other devices to dominate the future) was a movie called "Forbidden Planet" made in 1956 with Walter Pidgeon, Anne Francis,&amp;nbsp;and Leslie Nielsen! This was 54 years ago! It was the first big budget Science Fiction movie ever made and pioneered the specials effects that you now see today.&amp;nbsp; What is also funny is that the scene with Alteria's&amp;nbsp; (Anne Francis) 3D image was almost identically mimicked by Darth Vader in "The Empire Strikes Back".&amp;nbsp; &lt;br /&gt;If one ever wants to watch a truly remarkable and great scifi movie, get a copy of "Forbidden Planet"!&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-5982918352370301056?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/5982918352370301056/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/11/3d-holograms-first-envisioned-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/5982918352370301056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/5982918352370301056'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/11/3d-holograms-first-envisioned-in.html' title='3D Holograms First Envisioned in &quot;Forbidden Planet&quot; NOT &quot;Star Wars&quot;'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-2585455517463564933</id><published>2010-10-28T09:28:00.000-07:00</published><updated>2010-10-28T09:28:45.234-07:00</updated><title type='text'>The Beginnings of Ektos  and the Watcher</title><content type='html'>News: &lt;br /&gt;&lt;div class="textBodyBlack"&gt;&lt;span id="byLine"&gt;&lt;/span&gt;"A Chinese scientific research  center has built the fastest supercomputer ever made, replacing the United  States as maker of the swiftest machine, and giving China bragging rights as a  technology superpower. The computer, known as Tianhe-1A,  has 1.4 times the horsepower of the current top computer, which is at a national  laboratory in Tennessee, as measured by the standard test used to gauge how well  the systems handle mathematical calculations, said Jack Dongarra, a University  of Tennessee computer scientist who maintains the official supercomputer  rankings."&lt;/div&gt;&lt;div class="textBodyBlack"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="textBodyBlack"&gt;&lt;span id="byLine"&gt;&lt;/span&gt;"Modern supercomputers are built by  combining thousands of small computer servers and using software to turn them  into a single entity.&amp;nbsp; In that sense, any organization  with enough money and expertise can buy what amount to off-the-shelf components  and create a fast machine.&amp;nbsp; The Chinese system follows that  model by linking thousands upon thousands of chips made &lt;i&gt;&lt;b&gt;by the American  companies Intel and Nvidia&lt;/b&gt;&lt;/i&gt;."&lt;/div&gt;&lt;div class="textBodyBlack"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="textBodyBlack"&gt;If anyone wonders where their job went, if there will be another World War, or if an Ektos and Watcher is in their future, all you have do is open your eyes.&amp;nbsp; Welcome to living the Prologue to Beyond Mars Crimson Fleet.&lt;/div&gt;&lt;div class="textBodyBlack"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="" name="StoryImage"&gt;&lt;/a&gt; &lt;div class="textBodyBlack"&gt;&lt;span id="byLine"&gt;&lt;/span&gt; &lt;/div&gt;&lt;table align="left" border="0" cellpadding="0" cellspacing="0" style="padding: 5px 15px 0px 0px;"&gt;&lt;tbody&gt;&lt;tr&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="textBodyBlack"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="textBodyBlack"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-2585455517463564933?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/2585455517463564933/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/10/beginnings-of-ektos-and-watcher.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/2585455517463564933'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/2585455517463564933'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/10/beginnings-of-ektos-and-watcher.html' title='The Beginnings of Ektos  and the Watcher'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-4749806882676781106</id><published>2010-10-06T10:05:00.000-07:00</published><updated>2010-10-07T04:58:23.558-07:00</updated><title type='text'>About Memory Metals that were used in the Ships of the Crimson Fleet</title><content type='html'>In my book, the ships of the Earth's Crimson Fleet&amp;nbsp;utilize what is called "Smart Memory Alloys" or "Memory Metals" for their hull structures and many ship components.&amp;nbsp; These are alloys that actual can have two or more stable states. Although current heating and cooling of the memory metal (such as Nickel-Titanium) determines the crystal structure the metal takes, there is another type of S.M.A., called&amp;nbsp;ferromagnetic shape memory alloy&amp;nbsp; (FSMA), that changes shape under strong electromagnetic fields. These materials are of particular interest as the magnetic response tends to be faster and more efficient than temperature-induced responses.&lt;br /&gt;&lt;br /&gt;The changes not only allow components (and circuits) to change shape, but when such components are used together can create new functions ...&amp;nbsp;or transitioning one type of device into another. For example, a lab could buy one device that takes the place of several types of different equipment, thus cutting cost to consumers.&amp;nbsp; Another feature would be stealth such as transforming a harmless airliner into a deadly bomber or drone.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-4749806882676781106?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/4749806882676781106/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/10/about-memory-metals-that-were-used-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/4749806882676781106'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/4749806882676781106'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/10/about-memory-metals-that-were-used-in.html' title='About Memory Metals that were used in the Ships of the Crimson Fleet'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-4299892374288731593</id><published>2010-10-01T09:13:00.000-07:00</published><updated>2010-10-01T09:54:23.844-07:00</updated><title type='text'>The Slow Walk to the New World Order of Beyond Mars Crimson Fleet</title><content type='html'>The US is buying custom-made vans packed with something called backscatter X-ray&amp;nbsp;machines. The mobile X-ray technology works by bouncing narrow X-ray streams off an object like a car and then analyzing the scatter rate of the returning rays. Operators can then locate less-dense objects that could be bodies, bombs or other objects of interest. However, radiation is still radiation, meaning enough exposure can cause cancer while possibly wreaking havov on electronic devices.&lt;br /&gt;&lt;br /&gt;So what does this mean?&amp;nbsp; Do you like being under constant surveillance, where every gesture, every word ... and in the future every thought is monitored and uploaded to a data system to create a model citizen?&amp;nbsp; Welcome to the "New World Order" of Beyond Mars Crimson Fleet.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-4299892374288731593?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/4299892374288731593/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/10/slow-walk-to-new-world-order-of-beyond.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/4299892374288731593'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/4299892374288731593'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/10/slow-walk-to-new-world-order-of-beyond.html' title='The Slow Walk to the New World Order of Beyond Mars Crimson Fleet'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-3569797184452776926</id><published>2010-10-01T05:03:00.001-07:00</published><updated>2010-10-01T05:04:10.019-07:00</updated><title type='text'>Beyond Mars Crimson Fleet becoming Our Reality</title><content type='html'>The main theme of Beyond Mars Crimson Fleet is out of control technology.&amp;nbsp; One does not have to look far to see this.&amp;nbsp; In the story. Extos - a bio-AI - monitors and controls everything. In the last two weeks, Stuxnet, the computer worm, has wreaked havoc in both Iran and China, infecting millions of computers around&amp;nbsp;both countries. Stuxnet is feared by experts around the globe as it can break into computers that control machinery at the heart of industry, allowing an attacker to assume control of critical systems like pumps, motors, alarms and valves. It could, technically, make factory boilers explode, destroy gas pipelines or even cause a nuclear plant to malfunction. This is the future world governments striving for a "New World Order" are making.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-3569797184452776926?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/3569797184452776926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/10/beyond-mars-crimson-fleet-becoming-our.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/3569797184452776926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/3569797184452776926'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/10/beyond-mars-crimson-fleet-becoming-our.html' title='Beyond Mars Crimson Fleet becoming Our Reality'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-4347181796402473798</id><published>2010-09-29T04:41:00.001-07:00</published><updated>2010-09-29T04:41:55.161-07:00</updated><title type='text'>Real Scifi is History</title><content type='html'>When I wrote &lt;i&gt;Beyond Mars Crimson Fleet&lt;/i&gt;, it was with the direct intention of capturing mankind's follies ... and cruelty to one another.&amp;nbsp; Having seen things I will never speak of as a soldier, I thought it important to not just share things of historic nature, but maybe to get people to think about their own relationships and decisions with others. This was not only to ensure it gave the novel the ring of truth, but to get readers to think about the world around them.&lt;br /&gt;&lt;br /&gt;The "Rape of Nanking" is the destruction of Mars, the "Battle of Samar Island (Taffy 3)" is the Clash of Magnus Sol. History will always repeat itself, because man's instincts repeat themselves. And until we as a race combine morality with reason and understanding we are all connected together ( so that what affects one person, affects all), we'll just keep making the same mistakes over and over again.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-4347181796402473798?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/4347181796402473798/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/real-scifi-is-history_29.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/4347181796402473798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/4347181796402473798'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/real-scifi-is-history_29.html' title='Real Scifi is History'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-7648180094397224907</id><published>2010-09-16T05:01:00.001-07:00</published><updated>2010-09-16T05:01:36.567-07:00</updated><title type='text'>The Best Scifi Movies of All Time</title><content type='html'>Many people now have no inkling of what a great scifi movie is. They're too  entralled by special effects, mindless mayhem, and lots of explosions. And this  is a pity because a great scifi movie is defined by character depth, flow of  plot, acting ability, audience emotion (such as fear and suspense), and a future  vision that could possible be true. &lt;br /&gt;&lt;br /&gt;The two greatest scifi movies that I think are the zenith of this art  are:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;War of the Worlds (with Gene Barry)&lt;/li&gt;&lt;li&gt;Forbidden Planet (with Walter Pigeon)&lt;/li&gt;&lt;/ul&gt;If you get a chance, check them out. Both were made in the 1950's and I you  be surprised in just how good they are in comparison with some of the stuff that  passes for entertainment.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-7648180094397224907?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/7648180094397224907/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/best-scifi-movies-of-all-time.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/7648180094397224907'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/7648180094397224907'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/best-scifi-movies-of-all-time.html' title='The Best Scifi Movies of All Time'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-2184482530609805214</id><published>2010-09-14T09:56:00.001-07:00</published><updated>2010-09-14T09:56:26.377-07:00</updated><title type='text'>Naming Characters</title><content type='html'>Whenever writing a fictional story, it is always a good idea to have the  character's name match their personality. Much can be said with the right name  of a character. For example: in my book Beyond Mars Crimson Fleet, the main  hero's name is Richard Wakinyan. For his given name, "Richard" means a strong  leader as in "the Lionheart". The second name "Wakinyan" is taken from the  Lakota word referring to the "Thunder Bird"; a mythical creature that was sent  by God to fertilize the land and to destroy evil where ever it finds  it.&lt;br /&gt;&lt;br /&gt;In choosing names, one also has to take in consideration not only  their personality, but their racial origins as well to help paint a more  complete picture of their phyiscal features. Description enhances this and can  be used to deviate to add a unique quality. However, be mindful that in certain  races, people (such as in certain Scotish clans) were mortal enemies of other  sur names of opposing clans.&lt;br /&gt;&lt;br /&gt;A good source for names are the many books  on baby names, which gives both male and female names and their meanings. Sur  names can be had from the internet along with historic deeds and ramifications.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-2184482530609805214?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/2184482530609805214/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/naming-characters.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/2184482530609805214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/2184482530609805214'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/naming-characters.html' title='Naming Characters'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-7852442372958455646</id><published>2010-09-14T09:55:00.001-07:00</published><updated>2010-09-14T09:55:24.283-07:00</updated><title type='text'>Understanding Peaks</title><content type='html'>Of the three types of peaks used in writing a fiction novel, the "emotional  (character) peak" is the most &lt;span class="blsp-spelling-corrected" id="SPELLING_ERROR_0"&gt;versatile&lt;/span&gt; one. It can either stand alone or be used  with the other types of peaks (action or mystery). The emotional peak, however,  can be used by a story's character/s in accenting the mood of a scene (which is  done by description, e. g. "the old abandoned and delapidated house casted long  shadows in the dwindling light, giving the women a sense of foreboding"). This  technique is usually done in a valley, where the writer begins to build tension  and rise to another story peak. But do not get confused between the scene mood  and the character's emotion. Scene mood can build, but not to either the  intensity or faster rate as a character's emotion. This is what helps to give  the story's forward flow and creates interest in the reader.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-7852442372958455646?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/7852442372958455646/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/understanding-peaks.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/7852442372958455646'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/7852442372958455646'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/understanding-peaks.html' title='Understanding Peaks'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-302102592731372864</id><published>2010-09-14T09:53:00.001-07:00</published><updated>2010-09-14T09:53:53.294-07:00</updated><title type='text'>Peaks And Valleys</title><content type='html'>One of the things during the course of my technical writing career and  association with certain fiction book authors and editors is that fiction should  have a set layout and follow a line of flow, just like any other document for  any other purpose.  What that means is, regardless that a fiction novel is  historic, romantic, scifi, horror, or any other type; it should always begin  with "action".  This is to grip the reader from the very beginning and draw them  into the book.  &lt;div&gt;&lt;br /&gt;&lt;/div&gt; &lt;div&gt;This is similar process to business proposals and investigation reports  where problems are stated at the very beginning, including in the "executive  summary".  From here, other elements are added.  For the fiction novel, however,  these other elements are "mystery" and "emotions" with pauses in between.  Its  like surfing waves, you have peaks (action, mystery, &amp;amp; emotions) and valleys  (pauses - these divide the peaks from each other so that the reader can catch  his or her breath).  This is what gives forward movement to a story.  However,  should the peaks wander together it can overwhelm the reader, giving them a very  unpleasant experience.&lt;/div&gt; &lt;div&gt;&lt;br /&gt;&lt;/div&gt; &lt;div&gt;A good example of this is the contrast between the movies "Batman Begins"  and "Dark Knight".  "Batman Begins" has a terrific flow with story line.  It  gives the reader time to recover from the previous "peak" and catch his breath.   (I have personally watched this movie at least 20 times).  &lt;/div&gt; &lt;div&gt;&lt;br /&gt;&lt;/div&gt; &lt;div&gt;"Dark Knight" is different, however, and gives a different affect.   Although the story is well written, from about the middle of the movie the  "action" becomes high pitched and virtually non-stop.  And because of this, it  becomes &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;exhausting&lt;/span&gt;&lt;/span&gt; for  the viewer. (For me, it was very good, but I've only watched it once and it will  be a long time before I play the DVD again).  In certain aspects, it makes the  movie actually mentally painful to watch, regardless of how good it is.  Had  there been just a few pauses in this area, I think it would have been equal to  "Batman Begins", but as a result it falls short.  &lt;/div&gt; &lt;div&gt;&lt;br /&gt;&lt;/div&gt; &lt;div&gt;The bottom line to all this is that if you writing any novel, be sure to  take care in timing your peaks and valleys right. Be sure to use "pauses" in  between the "peaks", because it just might make the difference between a good  novel and a bad one.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-302102592731372864?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/302102592731372864/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/peaks-and-valleys.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/302102592731372864'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/302102592731372864'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/peaks-and-valleys.html' title='Peaks And Valleys'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1857912743051405603.post-1372987110518831212</id><published>2010-09-14T09:48:00.000-07:00</published><updated>2010-09-14T09:52:16.142-07:00</updated><title type='text'>Reality verses Fiction</title><content type='html'>&lt;div&gt;When I started writing my book, &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Beyond Mars Crimson Fleet&lt;/span&gt;, over 12 years ago,  I had no idea how close my Prologue was to be to the reality of our present  situations.   The financial crisis, weapons of mass destruction, epidemics of  diseases, technology out of control and all rooted in greedy business men,  corrupted government officials, globalization, and a self-centered and  materialist world. But most of all, technical devices that control us more than  we control them.  All these things have come to pass.&lt;/div&gt; &lt;div&gt;&lt;br /&gt;&lt;/div&gt; &lt;div&gt;I never meant for &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Beyond Mars&lt;/span&gt; to become a Star Wars (pure  fantasy) or a Star Trek (technological savvy, but with an unrealistic &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-US&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-qformat:yes;  mso-style-parent:"";  mso-padding-alt:0in 5.4pt 0in 5.4pt;  mso-para-margin-top:0in;  mso-para-margin-right:0in;  mso-para-margin-bottom:10.0pt;  mso-para-margin-left:0in;  line-height:115%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:"Calibri","sans-serif";  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-fareast-font-family:"Times New Roman";  mso-fareast-theme-font:minor-fareast;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span style="font-size: 11pt; line-height: 115%; font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;&lt;/span&gt; society).  I know  better than that.  I don't mean to be insulting about either.  Instead, I meant it to be a warning of things that might come  to be as a result of our own actions and decisions.   A perfect example was in  2007, when during a military training exercise, a military robot misidentified 9  soldiers ... and killed them all. &lt;/div&gt; &lt;div&gt;&lt;br /&gt;&lt;/div&gt; &lt;div&gt;You're probably thinking , so what!  Well, the U.S. Naval Research Center  believes that with the millions of lines of code being written by a multitude of  programmers for each robot, a &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Beyond Mars&lt;/span&gt; scenario is not far-fetched at  all, ... but right on the money.  God help us all if it is.      &lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1857912743051405603-1372987110518831212?l=rgwrisch.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://rgwrisch.blogspot.com/feeds/1372987110518831212/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/reality-verses-fiction.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/1372987110518831212'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1857912743051405603/posts/default/1372987110518831212'/><link rel='alternate' type='text/html' href='http://rgwrisch.blogspot.com/2010/09/reality-verses-fiction.html' title='Reality verses Fiction'/><author><name>R G Risch</name><uri>http://www.blogger.com/profile/02554936383624380531</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='26' src='http://1.bp.blogspot.com/_to0_IyAWpe0/SfzSnyrPfYI/AAAAAAAAAAU/A-NJm_B_Pwc/S220/RGRisch001.jpg'/></author><thr:total>0</thr:total></entry></feed>
